The New Yorker at 100

For the first time, The New Yorker opens up its offices to Academy Award-winning director Marshall Curry, allowing unprecedented access to its newsroom at a pivotal moment for all media, offering a rare look at what it took to publish a century of intrepid journalism, generation-defining fiction, and unforgettable cartoons.

Official Selection: Telluride Film Festival

An Evening with the New York Times’ Op-Docs 2025

Film title: THEIR EYES
Director: Nicolas Gourault
Country: France
Synopsis: In “Their Eyes,” we’re introduced to the online gig workers who teach the A.I. in self-driving cars how to navigate the streets. While the workers are predominantly in the global south, these kinds of cars are increasingly part of the streets of the global north. “Their Eyes” is an investigation into and exploration of the invisible workers training A.I. systems how to read the world.

Film title: VIEW FROM THE FLOOR
Directors: Megan Griffiths, Mindie Lind
Country: United States
Synopsis: For as long as she can remember, Mindie Lind has been obsessed with performing onstage. Since she was born with no legs, it wasn’t long before news crews, national telethons and even the talk show host Maury Povich arrived to capture Mindie in action, always portraying her simplest activities as inspirational.
“View From the Floor” captures her journey navigating tropes, exploitation and the question of whether she’s talented or typecast, superstar or “supercrip” (a person with a disability who is seen as a superhero for doing everyday things).

Film title: AM I THE SKINNIEST PERSON YOU’VE EVER SEEN?
Director: Eisha Marjara
Country: Canada
Synopsis: For the sisters Eisha and Seema, a joint diet offered a shared sense of purpose. But their project would take a dark turn, and Eisha was eventually consumed by anorexia. In “Am I the Skinniest Person You’ve Ever Seen?” Eisha revisits her past with a tender love letter to her younger self and the battle she faced.

Film title: CRYING GLACIER
Director: Lutz Stautner
Country: Switzerland
Synopsis: When Lutz Stautner first heard the artist Ludwig Berger’s recordings of a melting glacier, he could hardly believe they were real. They reflected what Lutz had long associated with glaciers: complexity, excitement, life. By approaching the glacier through sound, by making it seem alive, Ludwig gave him a whole new perspective, not just on climate change caused by humans, but on coexistence. What can we learn by listening?

Film title: DEATH OF A FANTASTIC MACHINE
Directors: Maximilien Van Aertryck, Axel Danielson
Country: France/Sweden
Synopsis: The camera is a tool — but to do what? Images shape our daily life, yet we rarely question how they’re made or why. Here, Maximilien Van Aertryck and Axel Danielson focus on how economic forces have shaped what we see, from the earliest photography to the algorithms and A.I. of today. Some say there are an estimated 45 billion cameras on earth today, giving humankind access to perspectives far beyond our own reach. But the very tool that could help us understand the world is increasingly used to distort it. With A.I., this distortion has reached a new level. When any photo or video can be manufactured, what happens to the camera’s credibility? Can we still trust what we see? Could we ever?

Atropia

When an aspiring actress (Alia Shawkat) in a military role-playing facility falls in love with a soldier (Callum Turner) cast as an insurgent, their unsimulated emotions threaten to derail the performance.  What unfolds is an audaciously funny satire that asks: In the performance of war, who are the winners and who are the losers?

Grand Jury Prize, Sundance Film Festival

Little Trouble Girls

At her mother’s urging, introverted 16-year-old Lucija joins her Catholic school’s all-girls choir, where she befriends Ana-Marija, a popular older student. When the choir travels to a countryside convent for a weekend retreat of intensive rehearsals, Lucija navigates the unfamiliar surroundings, complex teenage social structures, and her own awakening sexuality. A series of initiations, including an eye-opening experience with a handsome construction worker, test Lucija’s friendship with Ana-Marija and the other girls, as she begins to question her beliefs and disrupt the harmony within the choir.

This stunning feature debut by award-winning Slovenian filmmaker Urška Djukic had its world premiere at the Berlin Film Festival and won the Best Cinematography prize at Tribeca.

The Tale of Silyan

An unlikely bond forms when farmer Nikola stumbles upon Silyan, a wounded white stork.

Official Selection: Venice International Film Festival, TIFF

Sound of Falling

A remote German farm harbors generations of secrets. Four women, separated by decades but united by trauma, uncover the truth behind its weathered walls.

Jury Prize Winner, Cannes Film Festival
Official Selection: TIFF

 

My Father’s Shadow

Two young brothers explore Lagos with their estranged father during the 1993 Nigerian election crisis, witnessing both the city’s magnitude and their father’s daily struggles as political unrest threatens their journey home.

Official Selection: Cannes Film Festival, TIFF

Cactus Pears

Anand, a 30-something city dweller compelled to spend a 10-day mourning period for his father in the rugged countryside of western India, tenderly bonds with a local farmer who is struggling to stay unmarried. As the mourning ends, forcing his return, Anand must decide the fate of his relationship born under duress.

World Cinema Grand Jury Prize – Dramatic, Sundance Film Festival

The Sugarland Express (Open Captioning)

4K Restoration!

Please note that there are additional showtimes of THE SUGARLAND EXPRESS that screen without open captions (on-screen display of dialogue and sounds). For those showtimes, click here.

Steven Spielberg’s brash, anti-establishment theatrical debut follows the trans-Texas odyssey of married couple Clovis (William Atherton) and Lou Jean (a radiant Goldie Hawn) in search of their young son in foster care. After Lou Jean springs Clovis from prison, the pair hijack  a Texas highway patrolman’s car and become minor celebrities and major folk heroes to the locals breathlessly following their exploits. Shot through with youthful exuberance and early-career ambition, THE SUGARLAND EXPRESS is presented in a gorgeous new 4K restoration.

Best Screenplay, Cannes Film Festival

The Sugarland Express

4K Restoration!

Please note that there are additional showtimes of THE SUGARLAND EXPRESS that screen with pen captions (on-screen display of dialogue and sounds). For those showtimes, click here.

Steven Spielberg’s brash, anti-establishment theatrical debut follows the trans-Texas odyssey of married couple Clovis (William Atherton) and Lou Jean (a radiant Goldie Hawn) in search of their young son in foster care. After Lou Jean springs Clovis from prison, the pair hijack  a Texas highway patrolman’s car and become minor celebrities and major folk heroes to the locals breathlessly following their exploits. Shot through with youthful exuberance and early-career ambition, THE SUGARLAND EXPRESS is presented in a gorgeous new 4K restoration.

Best Screenplay, Cannes Film Festival