Rose of Nevada (Open Captioning)
Please note that there are additional showtimes of ROSE OF NEVADA that screen without open captions (on-screen display of dialogue and sounds). For those showtimes, click here.
30 years after vanishing at sea, the eponymous fishing vessel mysteriously reappears in the harbor of a seaside village. The astonished local citizens see its return as a sign, convinced the luck of their economically devastated community may turn, if only the ship sails again. Joining the crew are Nick (George MacKay), desperate to provide for his young family, and Liam (Callum Turner), a mysterious drifter eager to escape his past. When they return from their voyage, nothing is as they remember it. Shooting in supersaturated color on a 16mm Bolex and constructing all the sound in post, Mark Jenkin’s hallucinatory time-travel mystery further solidifies him as one of the most singular artists working in film today.
Official selection: Venice, TIFF, New York Film Festival
“It’s not every day that you see a film that reminds you of the work of Mike Leigh and David Lynch at the same time.” – RogerEbert.com
Take One
Monday, June 22 at 9:15: Introduction by programmer KJ Shepherd
In this mind-bending ‘docufantasy’ from legendary Boys in the Sand and Bijou filmmaker Wakefield Poole, a group of real gay men are interviewed about their lives and then have the opportunity to live out their deepest sexual fantasies before the camera. As the film gradually becomes more about the making of itself, multiple layers of fantasy and reality begin to fold in on themselves. From the sweetly romantic to the bizarrely kinky, Take One is a love letter to both San Francisco’s gay community at the height of the liberation era and to the magic of cinema itself and a hidden gem of queer cinema. 2K restoration courtesy of Muscle Distribution.
Screening as part of our series Cruising the Movies
Hairspray
Thursday, June 25 at 6:30: Q&A with John Waters and special guests after the screening
John Waters and The Criterion Collection present a new 4K restoration of Hairspray sourced from the original 1988 35mm camera negative and the original stereo 35mm magnetic soundtrack.
After decades of pushing the boundaries of bad taste with his underground provocations, John Waters found surprising mainstream success with this infectiously irreverent rock-and-soul comedy. It’s 1962, and the only things bigger than the bouffant hairdos are the popular dance crazes sweeping the nation. When Baltimore teen Tracy Turnblad (Ricki Lake) shoots to stardom on a local TV dance party, her radical self-confidence and support for racial integration launch a movement that takes the city by storm. Costarring the inimitable Divine in a fiercely funny double role, Hairspray finds Waters marrying his wildly subversive sensibility with a newfound bubblegum sweetness for what may be his most irresistible film.
“Hairspray? How did I ever make such a joyous movie about how ugly racism really is? Criterion cements this film’s reputation as the big girls’ happy shriek of political victory, without once preaching to the audience.” — John Waters
Chum (Open Captioning)
Please note that there are additional showtimes of CHUM screen without open captions (on-screen display of dialogue and sounds). For those showtimes, click here.
A newlywed couple joins friends on a Mediterranean yacht excursion, only to find themselves caught between a predatory shark and a psychopathic killer in their midst-transforming a sun-drenched escape into a fight for survival.
Chum
Please note that there are additional showtimes of CHUM screen with open captions (on-screen display of dialogue and sounds). For those showtimes, click here.
A newlywed couple joins friends on a Mediterranean yacht excursion, only to find themselves caught between a predatory shark and a psychopathic killer in their midst-transforming a sun-drenched escape into a fight for survival.
I Shot Andy Warhol
Friday, June 12 at 7:15: Q&A with director Mary Harron after the screening
Saturday, June 13 at 6:45: Q&A with director Mary Harron, Michael Imperioli, DP Ellen Kuras, writer Daniel Minahan, editor Keith Reamer, and producer Tom Kalin moderated by Naomi Fry (The New Yorker) after the screening
Sunday, June 14 at 6:45: Special benefit screening for Missing Movies, plus Q&A with director Mary Harron and Lili Taylor
New 4K Restoration! 30th Anniversary!
One of the great indie debuts of the 90s, Harron’s curiously moving portrait of the notorious Valerie Solanas (a note-perfect Lili Taylor) captures the outsider feminist revolutionary infamous for her S.C.U.M. Manifesto (an acronym for The Society for Cutting Up Men) and her attempted assasination of the king of Pop Art. With Jared Harris, Martha Plimpton, Michael Imperioli and, as Candy Darling, Stephen Dorff.
Grand Jury Prize, Sundance; Un Certain Regard Award, Cannes
“If you want to know what the Warhol scene was all about, this is even better than the documentaries.”- Jonathan Rosenbaum, The Chicago Reader
“Scrappy, vibrant, unexpectedly touching…This film’s extraordinary centerpiece is Lili Taylor, giving a great, funny, furiously alive performance.” – The New York Times
The Sun, Jun 14 screening at 6:45 benefits Missing Movies, a nonprofit founded in 2023 by a group of eight film industry veterans. Their mission is to bring awareness to the problem of movies becoming unavailable to the general public and to educate current filmmakers on steps they can take to preserve their work. They also advocate on behalf of films that are missing and assist filmmakers seeking to find lost works.
She’s the He (Open Captioning)
Please note that there are additional showtimes of SHE’S THE HE that screen without open captions (on-screen display of dialogue and sounds). For those showtimes, click here.
In an effort to impress their classmates, bumbling high school seniors Ethan (Misha Osherovich) and Alex (Nico Carney) pose as transgender women. Their plan works, but when Ethan realizes she isn’t pretending, the pair must confront their changing friendship, coming-ofage, and coming out. From trans writer/director Siobhan McCarthy and starring a talented young trans and non-binary cast, SHE’S THE HE takes the raunchy teen sex comedy to funny, sweet, and unexpected new places.
“It sounds like a ferocious right wing fever dream, but the result is a meaningful comedy-drama about identity, and the confusion of burgeoning youth.” – Variety
“A refreshing, authentic comedy that’s talking to trans and cis kids alike in a language they’ll immediately recognize as their own.” – AV Club
Official selection: SXSW, NewFest
Camp (Open Captioning)
Please note that there are additional showtimes of CAMP screen without open captions (on-screen display of dialogue and sounds). For those showtimes, click here.
Emily is the cause of two tragedies early in her life her dad suggests she go to a Camp for troubled youth to ease her guilt. When Emily arrives, she is taken in by the other counselors, they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t ignore, telling Emily to go home.
Camp
Please note that there are additional showtimes of CAMP screen with open captions (on-screen display of dialogue and sounds). For those showtimes, click here
Emily is the cause of two tragedies early in her life her dad suggests she go to a Camp for troubled youth to ease her guilt. When Emily arrives, she is taken in by the other counselors, they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t ignore, telling Emily to go home.
Wild Inside
A Eurasian Eagle-Owl named Flaco escapes from the Central Park Zoo and sets off on a magical odyssey through the island of Manhattan. Flaco overcomes his years of captivity and lack of survival skills to answer the call of the wild – and discovers he was wild inside all along.