Archive for the ‘Events’ Category

Supermensch

Monday, November 3rd, 2014

Post-film discussion with Mike Myers!

In his directorial debut, Mike Myers brings a comic touch to documenting the astounding career of consummate Hollywood insider Shep Gordon. Making playful use of archival footage, new interviews, and his own close relationship with the legendary talent manager, Myers reveals a man who has embraced his dualities: a harddriving dealmaker who wants everyone to be happy, a rock ‘n’ roll hedonist who yearns for a family. Against a backdrop of debauchery, he’s a man on a spiritual quest. These contradictions make him a fascinating documentary subject.

Shep launched his career after a chance encounter with Janis Joplin and Jimi Hendrix. He went on to manage an eclectic list of musicians including Alice Cooper, Blondie, and Anne Murray. He produced films and even helped develop the celebrity chef movement.

Myers first met Shep when negotiating a song for use in Wayne’s World. Their long-time friendship gives us the feeling of eavesdropping on close confidants. Adding to the story are lively conversations with Alice Cooper, Michael Douglas, Sylvester Stallone, Anne Murray, Willie Nelson, Emeril Lagasse and more. The film delivers on behind-the-scenes gossip and insights, but goes beyond the normal showbiz biography, offering deeper reflection on the big questions of life. Shep is especially moved when he discusses being a guardian to four children, his relationship with the Dalai Lama and his philanthropy for the Tibet Fund.

Filmmaker Magazine’s “25 New Faces of Independent Film” 2014

Thursday, September 18th, 2014
An evening of short films from Filmmaker’s recently announced 25 New Faces list, followed by discussions and Q&A’s with the filmmakers. Included will be new work from :: kogonada, including “Tempo/Basho,” a film essay on Yasujiro Ozu, and “Against Tyranny,” about Steven Soderbergh; dramatic shorts from Robert Eggers (“Brothers”) and Charlotte Glynn (“The Immaculate Reception”); short science fiction from Zeek Earl and Chris Caldwell (“Prospect”); and a portrait of the author James Salter by Lily Henderson. Eggers, Glynn and :: kogonada will be in attendance for questions and a discussion of short filmmaking.

Bronx Obama

Thursday, September 4th, 2014

Stranger Than Fiction Fall 2014 sneak preview! Q&A with director Ryan Murdock and film subject Louis Ortiz!

Free admission with purchase of a season pass to STF’s Fall 2014 eight-week tribute to DA Pennebaker & Chris Hegedus — click here to purchase

NYC PREMIERE. When Louis Ortiz shaved off his goatee one day in 2008, his life changed forever. He looked in the mirror and he didn’t see himself – a middle-aged, unemployed Puerto Rican father from the Bronx. He saw the face of change, of hope… of money. Bronx Obama tells the strange and improbable tale of a Barack Obama impersonator who tries to cash in on the “look of a lifetime” and chases a fevered American dream from opportunity to oblivion.

Filmmaker Ryan Murdock’s debut feature film has been in the making for nearly 3 years, as he intimately documented Mr. Ortiz’s transformation during Obama’s first term and the 2012 election season. Murdock has rolled out this story in multiple parts – first as a 36-minute radio piece for NPR’s This American Life, then as a short film for The New York Times. The 90-minute feature documentary reveals a host of new characters; a manager who pushes Louis hard to “become Obama,” a seasoned “Bill Clinton” who dispenses advice, and a hard-working “Mitt Romney” who bets it all on his newfound career. Murdock captures unexpectedly hilarious moments along this Twilight-Zone-esque campaign trail while delving deep into the question of what it means to be someone you’re not.

Tween Hobo with Paper Moon

Monday, July 14th, 2014

Author Alena Smith in person! DCP projection

For the release of the new comic novel, “Tween Hobo: Off the Rails,” author (and writer for The Newsroom) Alena Smith (@TweenHobo) will present one of the original tween hobos in Peter Bogdanovich’s PAPER MOON. After the screening, programmer and critic Miriam Bale will discuss the film’s place in the tween cultural tradition with Ms. Smith, followed by a book signing.

“In 1973’s Depression-set comedy, Tatum O’Neal gives a legendary performance as 9-year-old Addie Loggins, who may or may not be the daughter of con man Moses Pray, played by Tatum’s real-life father, Ryan O’Neal. Addie and Moze join forces and scam their way across America, on a road trip full of hillbillies, bootleggers, gold-diggers, and carnival barkers.” – Alena Smith

Truffaut’s “Antoine Doinel” Cycle

Saturday, July 5th, 2014

Screening as part of our “Time Regained: Cinema’s Present Perfect” series, this special all-day presentation includes all four features and one short starring the iconic Jean-Pierre Léaud as the filmmaker’s alter ego. Special “Antoine-a-thon” ticket available for admission to all Doinel films for $30 ($20 IFC Center members).

 

My America

Tuesday, June 24th, 2014

Filmmaker Hal Hartley and Fandor’s Ted Hope in person!

Twenty-one monologues, written by some of the nation’s most exciting playwrights (including Neil LaBute, Danny Hoch, Dan Dietz, Marcus Gardley, and more) form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the hilarious, from the angry to the tentatively celebratory, many of the major and recurrent issues associated with our fraught but beloved union are reconsidered with elegance, wit, a sometimes brutal honesty, and a little outright insanity.

Originally commissioned by Center Stage (the State Theater of Maryland) filmmaker Hal Hartley set these widely varied subjects in one big rehearsal studio, making use of little but the actors themselves, a chair, the windows, and an upright piano.

A big room, twenty-one voices, and one kind of portrait of… US.

Presented by

An Evening with NYTimes Op-Docs

Thursday, June 12th, 2014

Discover The New York Times’s Op-Docs, short opinion documentaries reflecting a wide range of styles and subjects, from contemporary life to historical themes. Post-film discussion with “56 Ways of Saying I Don’t Remember” director Alan Berliner, “Love and Stuff” director Judith Helfand, “The Animated Life of A.R. Wallace” co-director Flora Lichtman, “Congo: The Road to Ruin” director Daniel McCabe, and “35 and Single” director Paula Schargorodsky, moderated by Jason Spingarn-Koff of The New York Times.

“November 22, 1963” directed by Errol Morris

“35 and Single” directed by Paula Schargorodsky

“56 Ways of Saying I Don’t Remember” directed by Alan Berliner

“Love and Stuff” directed by Judith Helfand

“Verbatim: What Is a Photocopier?” directed by Brett Weiner

“Subway Alarm” directed by Ken Webb

“The Animated Life of A.R. Wallace” directed by Flora Lichtman and Sharon Shattuck

“Congo: The Road to Ruin” directed by Daniel McCabe

Blue Note Jazz Festival: The Case of the Three Sided Dream

Wednesday, May 14th, 2014

Post-film discussion with director Adam Kahan, family members Dorthaan and Rory Kirk, and trombonist Steve Turre!

THE CASE OF THE THREE SIDED DREAM is the story of multi-instrumentalist Rahsaan Roland Kirk, who went from blind infant, to child prodigy, to adult visionary, political activist, and finally to paralyzed showman who toured and played music literally until the day he died. – SXSW

Screening as part of the

Tres Court International Film Festival

Wednesday, April 30th, 2014

A special presentation of over 40 short short films (each under 3 minutes in length) from over a dozen countries in Europe, the U.S., Africa, Asia, and the Middle East. The films are in black-and-white and color, animated and live-action, dramas and comedies, and represent a peek at some of the best emerging filmmaking talent in the world. The Tres Court program is screening in over 100 cities around the globe, and audience members will be given ballots to vote for their favorite films.

Click here for a complete lineup of the festival films.

The Past Is a Grotesque Animal

Wednesday, April 30th, 2014

THE PAST IS A GROTESQUE ANIMAL is a personal, accessible portrait of an artist – of Montreal frontman Kevin Barnes – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?



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