Terms of Endearment
Directed by: James L. Brooks
Friday, September 13 - Sunday, September 15, 2013
“The most remarkable achievement of TERMS OF ENDEARMENT, which is filled with great achievements, is its ability to find the balance between the funny and the sad, between moments of deep truth and other moments of high ridiculousness. A lesser movie would have had trouble moving between the extremes that are visited by this film, but because TERMS OF ENDEARMENT understands its characters and loves them, we never have a moment’s doubt: What happens next is supposed to happen. because life’s like that.
“TERMS OF ENDEARMENT feels as much like life as any movie I can think of. At the same time, it’s a triumph of show business, with its high comic style, its flair for bittersweet melodrama and its star turns for the actors. Maybe the best thing about this movie is the way it combines those two different kinds of filmmaking. This is a movie with bold emotional scenes and big laughs, and at the same time it’s so firmly in control of its tone that we believe we are seeing real people.
“The movie’s about two remarkable women and their relationships with each other and with the men in their lives. The mother is played by Shirley MacLaine. She’s a widow who lives in Houston and hasn’t dated a man since her husband died. Maybe she’s redirected her sexual desires into the backyard, where her garden has grown so large and elaborate that she either will have to find a man pretty quickly or move to a house with a bigger yard.
“Her daughter, played by Debra Winger, is one of those people who seems to have been blessed with a sense of life and joy. She marries a guy named Flap who teaches English in a series of Midwestern colleges; she rears three kids and puts up with Flap, who has an eye for coeds.
“Back in Houston, her mother finally goes out on a date with the swinging bachelor (Jack Nicholson) who has lived next door for years. He’s a hard-drinking, girl-chasing former astronaut with a grin that hints of unspeakable lusts. MacLaine, a lady who surrounds herself with frills and flowers, is appalled by this animalistic man and then touched by him.” – Roger EbertPG, 132 Minutes