Weekend Classics

Hitchcock, Part II
Friday, July 6 - Sunday, October 14, 2012
The second part of our tribute to the master of suspense.
“That Alfred Hitchcock was one of the major artists of the 20th century no longer seems a matter of serious doubt. He has almost certainly generated more critical study and biographical examination than any other individual filmmaker, and he remains as popular with the general public as he does in academia…
“It’s with Hitchcock that many of us begin to sense the presence of the director, to understand that movies are more than a matter of attractive people reciting their lines in front of a camera. Along with Orson Welles, Hitchcock is the filmmaker most responsible for making viewers aware of form, for showing us that what we have here is something distinct from novels and plays, a medium with its own things to say and its own way of saying them.” – Dave Kehr, The New York Times
North By Northwest
Friday, July 13 - Sunday, July 15, 2012High-definition digital projection (DCP) "Fifty years on, you could say that Hitchcock’s sleek, wry, paranoid thriller caught the zeitgeist perfectly: Cold War shadiness, secret agents... more...
The Paradine Case
Friday, July 27 - Sunday, July 29, 201235mm print "In no sense a 'wronged innocent' thriller, THE PARADINE CASE sets out to be a morality tale on the dangers of Strong Emotion. A happy marriage is threatened when rising young... more...
Spellbound
Friday, August 24 - Sunday, August 26, 201235mm print "In 1945, Freud & Co were beginning to have a profound influence on American thinking, so armed with a script by Ben Hecht and the services of a consultant, Hitchcock decided... more...
Secret Agent
Friday, September 21 - Sunday, September 23, 201235mm print "A rarely seen film by Alfred Hitchcock (1936), adapted from Somerset Maugham's Ashenden and starring John Gielgud, Madeleine Carroll, and Peter Lorre. Hitchcock... more...
The Man Who Knew Too Much (1934)
Friday, October 5 - Sunday, October 7, 201235mm print "Vintage Hitchcock, with sheer wit and verve masking an implausible plot that spins out of the murder of a spy (Fresnay) in an equally implausible Switzerland (all back-projected... more...
The Man Who Knew Too Much (1956)
Friday, October 12 - Sunday, October 14, 2012High-definition digital (DCP) projection "The sole instance of Hitchcock actually remaking one of his earlier movies, this replaces the British version's tight, economic plotting and... more...

















