Friday, May 18 - Sunday, May 20, 2018

Digital Projection

Privilege starts as an apparently straightforward documentary, in which Rainer interviews middle-aged women about their experience of menopause. But Rainer soon gives herself an onscreen double, Yvonne Washington (played by Novella Nelson), and turns Privilege into a film-within-a-film made by her fictional counterpart. Rainer’s movie is on the front lines of intersectionality (a term coined in 1989 by the legal scholar Kimberlé Crenshaw) in its connection of the struggles for the rights of women, African-Americans, homosexuals, the aged, the disabled, and the poor. It’s also aesthetically intersectional in its fusion of cinematic styles.

The character Yvonne, who is black (Rainer is white), interviews a middle-aged white character named Jenny (Alice Spivak), who reminisces about freewheeling times in the nineteen-sixties on the Lower East Side. As Jenny tells that story, Rainer depicts it in flashbacks. They show Jenny’s friendship with a white lesbian neighbor named Brenda (Blaire Baron) and incidents involving a Puerto Rican couple, Digna (Gabriella Farrar) and Carlos (Rico Elias), in the building next door—Carlos’s abuse of Digna and his attempted rape of Brenda, as well as the differing approaches to these events by police and prosecutors.

Yvonne extracts from Jenny’s tale a skein of hidden themes, such as the prevalence of rape and domestic violence; racism in law, housing, and personal attitudes; the sexualization of women’s personal identities; and the role of class and economic power in reinforcing these and other forms of injustice. Rainer unfolds these themes with an incisively imaginative approach to Jenny’s recollections, which she analyzes prismatically, with a gleefully diverse array of cinematic devices—voice-overs, fantasylike stagings on a half-finished movie set, interviews with fictional characters, texts posted on the screen of an early-generation Apple computer. Jenny interrupts a sex scene with a monologue to the camera; Digna silently accompanies her, phantomlike, on a series of dates.” – Richard Brody, The New Yorker (2017)

Screening as part of our Weekend Classics series on breaking the fourth wall, The Audience is Present.

  • Country USA
  • Year 1990
  • Running Time 103 minutes
  • Director Yvonne Rainer
  • Writer Yvonne Rainer
  • Editor Christine Le Goff, Yvonne Rainer
  • Cinematographer Mark Daniels
  • Cast Yvonne Rainer, Daniel Martin Berkey, Blaire Baron, Gabrielle Made, Novella Nelson, Alice Spivak

IFC Center does not generally provide advisories about subject matter or potentially triggering content in films, as sensitivities vary from person to person. In addition to the synopses, trailers and other links on our website, further information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and as well as through general internet searches.