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Wednesday, December 26 - Thursday, January 3, 2019


    75th Anniversary Digital Restoration! 

    “Half the world can repeat half the dialogue of Curtiz’s great wartime (anti-)romance… and half of Hollywood’s scriptwriters worked on it. If Peter Bogdanovich is right to say the Bogart persona was generally defined by his work for Howard Hawks, his Rick, master of the incredibly ritzy Moroccan gin-joint into which old Paris flame Ingrid Bergman walks, just as importantly marked his transition from near-psychopathetic bad guy to idiosyncratic romantic hero.

    The film still works beautifully: its complex propagandist subtexts and vision of a reluctantly martial America’s ‘stumbling’ morality still intrigue, just as Bogart’s cult reputation among younger viewers still obtains. Claude Rains is superb as the pragmatic French chief of police, himself a complex doppelgänger of Bogart; Paul Henreid is credible and self-effacing as the film’s nominal hero; Sydney Greenstreet and Peter Lorre give great colour; and Bergman literally shines. Arguably, cinema’s greatest ‘accidental masterpiece’, it still amounts to some hill of beans.” – Time Out (London)

    • Country USA
    • Year 1942
    • Running Time 102 minutes
    • Director Michael Curtiz
    • Writer Murray Burnett (play), Joan Alison (play), Julius J. Epstein (screenplay), Philip G. Epstein (screenplay), Howard Koch (screenplay)
    • Editor Owen Marks
    • Cinematographer Arthur Edeson
    • Cast Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, Conrad Veidt