Crispin Hellion Glover
Monday, March 18 - Tuesday, March 19, 2019
The noted actor and director in person to present his feature films, with Q&A, his Big Slide Show, and book signing, for two nights only!
It is fine! EVERYTHING IS FINE
Glover in person to present his Big Slide Show part 2, plus Q&A and book signing!
It Is Fine! EVERYTHING IS FINE. goes into uncharted cinematic territory with screenwriter Steven C. Stewart starring in this semi-autobiographical, psycho-sexual, tale about a man with severe cerebral palsy and a fetish for girls with long hair. Part horror film, part exploitation picture and part documentary of a man who cannot express his sexuality in the way he desires (due to his physical condition), this fantastical and often humorous tale is told completely from Stewart’s actual point of view — that of someone who has lived for years watching people do things he will never be able to do. Here, Stewart’s character is something of a lady killer, seducing a troubled, recently divorced mother (Margit Carstensen), her teenage daughter and any number of other ladies he encounters along the way. According to Glover, Stewart “wanted to show that handicapped people are human, sexual and can be horrible.”
Glover in person to present his Big Slide Show part 1, plus Q&A and book signing!
Known for creating many memorable, incredibly quirky characters onscreen as an actor, Glover’s first effort as a director will not disappoint fans of his offbeat sensibilities and eccentric taste. Featuring a cast largely comprised of actors with Down’s Syndrome, the film is not about Down’s Syndrome. Glover describes it as “Being the adventures of a young man whose principal interests are snails, salt, a pipe and how to get home as tormented by an hubristic racist inner psyche.” In addition to writing and directing WHAT IS IT?, Glover also appears in the film as an actor in the role of “Dueling Demi-God Auteur and The young man’s inner psyche.” Actress Fairuza Balk voices one of the snails.
“A provocation… Glover is less interested in narrative than in rekindling a rich midnight-movie/avant-garde tradition that encompasses everything from Maya Deren and Jack Smith to Alejandro Jodorowsky and David Lynch — movies that baffled and intrigued audiences in galleries and salons and Greenwich Village cinemas, but which had more on their minds than mere shock value.” – Scott Foundas, L.A. Weekly